Research: Paul Hart, Farmed at Photographer’s Gallery

Exhibition I visited the Photographer’s Gallery and came across an exhibition by Paul Hart called Farmed, also published at his own website (https://www.paulhartphotography.com/farmed-2/).  Hart has captured a series of images across the fens that focus on encapsulating the ‘flatness’ of the area but which is dotted with man made elements.  His images are aimed at […]

Research: Sato Shintaro

Neon Lights Sato Shintaro is a Japanese photographer who has created a number of series of images that capture Tokyo at night.  A screen shot from his sight is shown in the image below (Shintaro, 1999) The set of images linked to in the course materials are focussed exclusively on the neon signage within the […]

Research: Martin Parr

Background Martin Parr is a British photographer who captures images that take a largely satirical view on human life (Wikipedia, 2017).  Figure 1 below taken from Parr’s own website (Parr, 2016) is a great example of the satire that flows through all his images. In his own documentary video (Parr, 2011) Parr discusses that the […]

Research: Henri Cartier-Bresson

Review of Film This post assesses the key learning points and reflections I have from watching the film L’amour de court (Cartier-Bresson, 2001.) The video opens with one of his most famous images shown below in Figure 1. It is astonishing that Cartier-Bresson claims that this image was pure luck and that he had simply stuck his camera […]

Research: Saul Leiter and influence on Colour Street Photography

Research I chose to research Saul when I came across the phrase ‘Instinctively for him, colour was the picture.’ (The Photographers’ Gallery, 2016).  This is a phrase I would not have expected to see in an article about street photography and so it caught my attention.   My work on this course is all about exploration […]

Research: Garry Winogrand and his photography of crowds

Research The Man I have selected this photographer for specific research because of the work he produced in response to his fellowship award from Guggenheim to investigate the effects that media has on public events.  Given the context of media, this tended to mean that he was photographing large events and therefore crowds. His approach […]